The T'n'T Tour - Tommy Castro & Tinsley Ellis
Wednesday, November 13, 2019 7:30 PM
$30 adv / $35 day of show
6:30pm / Show:
19+ (minors must be accompanied by parent or guardian)
Web: tommycastro.com/ | www.tinsleyellis.com/
All tickets are general admission. Purchasing a ticket does not guarantee a seat.
"Castro’s aggressive, inspired attack on vocals and guitar is phenomenal." –Washington Post
"Tommy Castro & The Painkillers showcase the power of the blues, soul and down-and-dirty rock ‘n’ roll...rousing and infectious. This is energizing, scorching, soul-shaking music….pure pleasure." –Living Blues
"Tommy Castro is a soulful singer and stinging guitarist...gritty, funky, and rocking." –Boston Globe
"Pure, funky, old-school soul...Castro lays stinging guitar lines around his throat-searing vocals." –No Depression
Whether he’s squeezing out the deepest blues or playing the funkiest soul grooves, legendary blues and soul giant Tommy Castro knows how to ignite a crowd. Over the course of his still-unfolding career, the guitarist, vocalist and songwriter has released 15 albums ranging from horn-fueled soul and R&B to piping hot blues to fiery rock ‘n’ roll. He’s performed all over the world, earning countless fans with his legendary, sweat-drenched, exhilarating live shows. Castro’s band, The Painkillers—bassist Randy McDonald, drummer Bowen Brown and keyboardist Michael Emerson—have now been playing together over four years. After hundreds of live shows, they have coalesced into one of the telepathically tightest units Castro has ever assembled, making them one of the most in-demand live roots music acts performing today. Billboard
says the band plays “irresistible contemporary blues-rock” with “street-level grit and soul.”
With the group seemingly hitting new heights with every performance, Castro knew the time was right to answer his fans’ demands for a live album. Killin’ It–Live
captures the band at the peak of their creative and improvisational powers, and features one unforgettable, unpredictable performance after another. “This is the best band we’ve ever had,” says Castro. We really got something going on beyond just being good musicians. Every song we play live now has that right feel—all the dynamics. It allows us to jam out more on stage. Killin’ It–Live
is what you hear when you see us live.”
Featuring songs from throughout Castro’s career, Killin’ It–Live
was produced by Castro and engineer/songwriter Ron Alan Cohen and recorded at venues in Texas, New York, Michigan and California during 2018. The album includes eight Castro originals spanning his entire career and two Castro-ized covers, each showing a slightly different side of his multifaceted musical personality. From fan favorites She Wanted To Give It To Me
and Make It Back To Memphis
to newer classics like Lose Lose
and Two Hearts
to Taj Mahal’s arrangement of Sleepy John Estes’ Leaving Trunk
(a song Castro has never recorded before but has been playing live for years), Killin’ It–Live
is a nonstop, spirited mix of blues, rock and soul, with rollicking, hypnotic grooves fueled by Castro’s animated, fervent vocals.
Born in San Jose, California in 1955, Tommy Castro first picked up a guitar at age 10. He fell under the spell of Eric Clapton, Elvin Bishop, Taj Mahal, Mike Bloomfield and other blues-rockers. Almost every major rock and soul act, from Ike and Tina Turner to Janis Joplin to Elvin Bishop to Taj Mahal, toured through the area, and Castro was at every show. He saw John Lee Hooker, Albert King and Buddy Guy and Junior Wells at the same local blues bar, JJ’s, where he often jammed, dreaming of one day busting out. Mixing the blues-rock he loved and the soul music he heard blasting out from his Mexican friends’ lowriders, Tommy started to create his own personal sound and style. He honed his guitar skills and intense vocals, learning how to capture an audience as he performed on San Jose’s highly competitive bar scene. As his reputation spread, Tommy played in a variety of Bay Area blues and soul bands, soon making a name for himself as a hotter-than-hot live artist bursting at the seams with talent. In 1985, he was recruited to become lead singer and guitarist for the regionally popular blues band NiteCry, gigging regularly throughout Northern California.
Castro joined Warner Brothers’ artists The Dynatones in the late 1980s, performing all over the country. He formed the first Tommy Castro Band in 1991, releasing his debut album in 1996 on the Blind Pig label. In the mid-1990s The Tommy Castro Band served as the house band for three seasons on NBC Television’s Comedy Showcase
(airing right after Saturday Night Live
), bringing him in front of millions of viewers every week. During the 1990s and into the 2000s, Castro recorded a series of critically acclaimed CDs for Blind Pig, Telarc and 33rd Street Records, as well as one on his own Heart And
Castro joined Alligator Records in 2009, releasing Hard Believer
to massive acclaim. He won four of his six career Blues Music Awards, including the coveted B.B. King Entertainer Of The Year Award (the very highest award a blues performer can receive). His next release, 2011’s Tommy Castro Presents The Legendary Rhythm & Blues Revue–Live!
, was a boisterous and searing collection of highlights from a series of live performances anchored by Castro and an all-star collection of blues giants, including Rick Estrin, Michael “Iron Man” Burks and Joe Louis Walker. His relentless road-dog approach—gig after gig, night after night—has won him loyal, lifelong fans everywhere he plays. The Washington Post
says Castro is “phenomenal and funky” with “soulful vocals and inspired blues-rock guitar.”
Castro formed the first incarnation of The Painkillers in 2012, and by 2014 (with Brown and Emerson taking over drums and keys respectively) they had become a lean, mean four-piece lineup, delivering soul-shaking, muscular music. The current band released Method To My Madness
in 2015 and Stompin' Ground
in 2017, with critics shouting praise and admirers cheering the group’s every move. Castro had stripped his music down to its raw essence with the new, smaller band, creating a larger than life sound. Blues Revue
said simply, “Tommy Castro can do no wrong.”
Live on stage, Tommy Castro & The Painkillers’ road-hardened musicianship brings an unmatched passion to Castro’s blue-eyed California soul and hard-rocking, good-time songs. The San Francisco Chronicle
describes Castro’s music as, “funky Southern soul, big city blues and classic rock...silvery guitar licks that simultaneously sound familiar and fresh.” No Depression
says “Castro plays gritty, string-bending blues like a runaway soul train...a glorious blend that rocks the soul and lifts the spirits.” Killin’ It–Live
captures the live power and raw passion of Tommy Castro & The Painkillers. It’s the next best thing to being there.
Since his Alligator debut 30 years ago, Southern blues-rock guitar wizard, vocalist and songwriter Tinsley Ellis has become a bona fide worldwide guitar hero. The Chicago Sun-Times says, "It's hard to overstate the raw power of his music." Now, he makes his triumphant return to Alligator Records with a powerful new album, Winning Hand. Armed with his signature molten licks, melodic riffs and rousing, intense solos, Ellis, as his legions of fans will attest, is among the blues world's best-loved, hardest working and most well-travelled statesmen. He has performed in all 50 United States as well as in Canada, Western and Eastern Europe, Australia and South America, earning legions of fans with his guitar virtuosity, passionate vocals and memorable original songs. Ellis is also revered as a guitarist's guitarist, with famous friends including Derek Trucks, Warren Haynes, Oliver Wood, Jonny Lang and members of Widespread Panic calling on him to sit in and jam. "A musician never got famous staying home," he says.
Recorded in Nashville and produced by Ellis and keyboardist Kevin McKendree, the ten brilliantly performed, fervently sung tracks on Winning Handinclude nine originals, ranging from blistering blues to heart-pounding rock to soulful ballads. As his only cover song, Ellis pays tribute to his greatest guitar-playing and songwriting influences with a Freddie King-inspired version of rock legend Leon Russell's "Dixie Lullaby." "Guitar, guitar, guitar is what this album is all about," says Ellis, who recorded primarily with his 1959 Fender Stratocaster, his 1967 Gibson ES 345 and his 1973 Les Paul Deluxe. Guitar World says, "Ellis' playing sparkles with depth and subtlety. Whether playing deep, slow blues or uptempo rockers, Ellis rides a gorgeously fat, pure tone."
Born in Atlanta in 1957, Ellis was raised in southern Florida. He discovered the blues through the back door of British Invasion bands like The Yardbirds, The Animals, Cream and The Rolling Stones as well as Southern rockers like The Allman Brothers. One night he and a friend were listening to records when his friend's older brother told them if they liked blues, they should really be listening to B.B. King. As luck would have it, King was in town for a week, and the upcoming Saturday afternoon show was just for teenagers.
Tinsley and his friend went, sitting transfixed in the front row. When B.B. broke a string on Lucille, he changed it without missing a beat, and handed the broken string to Ellis. After the show, B.B. came out and talked with fans, mesmerizing Tinsley with his warmth and kindness. Tinsley's fate was now sealed; he had to become a blues guitarist. He saw Howlin' Wolf, Muddy Waters and every other blues artist who came through town, always sitting up front, always waiting to meet the artists, take photos, get autographs. And yes, he still has B.B.'s string.
Already an accomplished teenaged musician, Ellis left Florida and returned to Atlanta in 1975. He soon joined a gritty local blues band, the Alley Cats. In 1981, along with veteran blues singer and harpist Chicago Bob Nelson, Tinsley formed The Heartfixers, a group that would become Atlanta's top-drawing blues band. After cutting a few Heartfixers albums for the Landslide label, Ellis was ready to head out on his own.
Georgia Blue, Tinsley's first Alligator release, hit the unprepared public by surprise in 1988. Critics and fans quickly agreed that a new and original guitar hero had emerged. The Chicago Tribune said, "Tinsley Ellis torches with molten fretwork. Ellis takes classic, Southern blues-rock workouts and jolts them to new life with a torrid ax barrage." Tinsley's next four releases—1989's Fanning The Flames, 1992's Trouble Time, 1994's Storm Warning, and 1997's Fire It Up—further grew his fan base and his fame. Features and reviews ran in Rolling Stone, The Chicago Tribune, The Washington Post, The Los Angeles Times, The Boston Globe, and in many other national and regional publications.
Guests including Peter Buck (R.E.M.), guitarist Derek Trucks (who made his recording debut with Tinsley at age 14) and keyboardist Chuck Leavell (The Rolling Stones) have joined him in the studio. Ellis' song "A Quitter Never Wins" was recorded by Jonny Lang, selling over a million copies. He in turn has made guest appearances on albums by The Allman Brothers, Gov't Mule, Colonel Bruce Hampton and others. Producers Eddy Offord (John Lennon, Yoko Ono, Yes) and even the legendary Tom Dowd (The Allman Brothers, Ray Charles) helped Ellis hone his studio sound.
A move to Capricorn Records in 2000 saw Ellis revisiting his Southern roots. In 2002, he joined the Telarc label, producing two well-received albums of soul-drenched blues-rock. He returned to Alligator in 2005, releasing Live-Highwayman, which captured the crowd-pleasing energy of his live shows. He followed it with two more incendiary studio releases, 2007's Moment Of Truth and 2009's Speak No Evil. He has since self-released four successful albums on his own Heartfixer label.
Over the course of his career, Ellis has shared stages with Stevie Ray Vaughan, Otis Rush, Willie Dixon, The Allman Brothers, Leon Russell, Son Seals, Koko Taylor, Albert Collins and many others. Whether he's on stage with his own band or jamming with artists like Buddy Guy, the Tedeschi Trucks Band, Gov't Mule or Widespread Panic, he always plays with grit, soul and unbridled passion. Back home on Alligator Records with his new album and a massive live tour in the works, Tinsley Ellis is ready to prove again that whenever he picks up a guitar, he's playing with a winning hand. - Alligator Records
The Redstone Room at River Music Experience is a standing room only concert venue. All tickets are General Admission unless otherwise stated. For the comfort of our guests, a limited amount of seating is available on a first come first serve basis:
- Reserved Tables: a limited number of tables are for sale in advance, sold through our ticketing service. You will need to add both your General Admission tickets AND your Reserved Tables to the cart for purchase. Reserve Tables come with 4 seats to a table.
- General Admission Tables: A number of tables are available when doors open. First come first serve.
- Disability: If you require handicap accessible seating, you will need to purchase your General Admission ticket first, and then call the box office to reserve up to 2 seats. Tables must be purchased separately.
All tickets for RME events are sold via Eventbrite and all carry applicable transaction fees. Tickets can be purchased the day of event online, at the RME Box office during business hours, and at the door (subject to availability). All tickets purchased with credit cards and/or cash will be subject to all applicable service fees whether the purchase takes place online, over the phone, or at the RME box office. Ticket fees also still apply for admission at the door.
TICKETS MAY BE PURCHASED AT THE FOLLOWING LOCATIONS
River Music Experience
129. N. Main Street
Davenport, IA 52801
Tues: 12pm - 6pm
Wed: 12pm - 6pm
Thurs: 12pm - 6pm
Fri: 12pm - 6pm
Sat: 12pm - 6pm
*Box Office hours may vary due to event schedules
Are there ID or minimum age requirements to enter the event?
Most shows in the Redstone Room are 19+, unless otherwise noted, but minors may attend if accompanied by a parent or guardian.
What are my transportation/parking options for getting to and from the event?
RME & The Redstone Room are in the heart of downtown Davenport, and accessible by public transportation or cabs & ride-share apps (Uber, Lyft). There is a paid parking garage right next to the RME that only costs a couple of dollars for an evening. When using the ramp, make sure that you prepay at the pay stations in the garage stairwell or on the Parkmobile app. Free street parking is available, but sometimes hard to find on concert nights.
How can I contact the organizer with any questions?
You may call the RME's box office at (563)326-1333 or email firstname.lastname@example.org
What's the refund policy?
Purchased tickets are nonrefundable.