Duke Tumatoe & The Power Trio
Friday, April 09, 2021 8:00 PM
$10 adv / $12 day of show
Doors: 7pm / Show: 8pm
Opening Act: TBA
Age Restriction: 19+ (minors must be accompanied by parent or guardian)
All tickets are general admission. Purchasing a ticket does not guarantee a seat.
Duke Tumatoe, born William “Bill" Severen Fiorio in 1947, is an American blues guitarist, vocalist and songwriter. He has gigged with Muddy Waters, Bo Diddley, B.B. King, Willie Dixon, Buddy Guy, John Fogerty and George Thorogood. He was a founding member of arena-rock giants REO Speedwagon. He has released fifteen albums as the bandleader of Duke Tumatoe & The All-Star Frogs and Duke Tumatoe & The Power Trio. His 1988 live album I Like My Job was produced by John Fogerty. He typically plays more than 100 dates per year.
Duke Tumatoe was born in June 1947 in Chicago. His father was a first-generation Italian whose family hailed from San Bonifacio, Italy, a northern Italian town outside Verona. He grew up in Beverly, a neighborhood on the Southwest side of Chicago.
The South Side of Chicago was also the birthplace of urban, electric blues, which was a huge influence on Tumatoe. As a teen, he often visited the legendary market at Maxwell Street to hear live blues. He says, “I first saw Muddy Waters when I was 13. We were hearing that stuff all the time and just assumed everybody was, too. I knew all the old guys, and I'd see them every day. I can't believe I took that for granted."
He learned to play drums at age 14 and guitar a year after that
In 1965, Tumatoe enrolled in college at the University of Illinois at Champaign-Urbana and founded a short-lived band called Lothar & The Handpeople. This band was named by CBS News Correspondent and Emmy Award winner Bill Geist, a classmate of Tumatoe’s.
In 1967, while living in Champaign, Illinois, Tumatoe was an original member of early REO Speedwagon, alongside Neal Doughty and Alan Gratzer. The band started as a soul band, inspired by Otis Redding, Sam and Dave and The Doors. In 1969, the band decided to take a more straightforward rock and roll approach, so Tumatoe, who wanted to play blues music, left the group to pursue his own musical endeavors. Tumatoe says, "It became more and more obvious that we weren't meant to play together...They're really hard-working people. I have nothing but good things to say about them."
In 1969, Tumatoe founded Duke Tumatoe & The All-Star Frogs. The band featured guitar, bass, drums and keyboards. They toured for thirteen years and released three albums. The All-Star Frogs featured keyboardist James Mitchell Hill, whose playing has been compared to Booker T. Jones. Hill continues to play with Tumatoe through the present day.
In 1983, Tumatoe disbanded The All-Star Frogs. He had moved to Indianapolis and was looking to form a group closer to his new home. The new group consisted of guitar, bass, drums and keys, though certain lineup changes featured two guitarists and no keys. The Power Trio performed an average of 200 dates per year. They have released twelve albums to date.
In 1987, John Fogerty of Creedence Clearwater Revival undertook his own ethnomusicologist mission by traveling through the South and Midwest to discover regional acts that couldn’t be heard on the radio. While passing through Mishawaka, Indiana, Fogerty heard a radio advertisement for Duke Tumatoe, whose name caught his attention. He attended the show that evening and was so impressed that he returned to the club on four consecutive evenings to see more.
“The first time I heard Duke it gave me chills,” said Fogerty. "I hadn't experienced energy like that in a long time. It was like walking in on Jimmy Swaggart in his heyday. Everybody in the audience was shouting and screaming and having a good time. I mean the crowd was just eating out of this guy's hand. Immediately the light went on in my head--somebody ought to record these guys."
For the first time, Fogerty decided to try his hand as a record producer. He played a cassette of a live recording of Duke to Warner Bros. Records President Lenny Waronker and got the go-ahead to begin recording what would become the 1988 live album, I Like My Job. Determined to capture the live energy of the band, Fogerty assembled over 24 hours of live recordings before beginning the mixing process. Fogerty and engineer Alan Johnson spent three focused months mixing the record.
Of the mixing process, Fogerty said, "I'd take a piece of a song from one night and add pieces from other nights...a bridge here, a chorus there. I was looking to get as close to that feeling I had when I first saw him. At the same time, it was important to me that I didn't mess with the material itself. Duke is a great songwriter, and great song interpreter. I really wasn't able to tell which tunes were originals and which were covers and that's the way I liked it. This is his music, played his way. I just sort of assembled the best moments." Capturing Tumatoe's crowd interaction was a prominent concern. "That interaction was vital. Which is why you get a lot of call and response on the record. Duke is a very quick guy. And very funny. He knows how to work a crowd and it was my hope that the energy would come across on record."
Shortly after moving to Indianapolis in 1980, Tumatoe befriended Tom Griswold of “The Bob & Tom Show,” a nationally-syndicated radio program that fuses comedy and music. In 1985, Tumatoe was looking for a way to promote a local blues club called Uncle Slugs, and Griswold suggested he write a song about the city’s new NFL team, the Indianapolis Colts, which had formerly been the Baltimore Colts. The result was the tongue-in-cheek “Lord Help Our Colts,” a catchy twelve-bar blues jingle with a static chorus and verses that could easily be updated to recap each game. “I, of course, wrote the song in a form that I thought if necessary, I could easily update, which turned out to be a real good thing, a smart move,” says Tumatoe. To date, he has sung more than 800 versions over the past thirty years.
Tumatoe performed the songs weekly on air, and though they were a hit with fans, some of the players and coaches took umbrage to his lyrics, especially when Tumatoe couldn’t resist taking a dig. On a few different occasions, Tumatoe barely avoided physical altercations initiated by drunken quarterbacks or angry coaches. Says Tumatoe, “I think people miss a basic thing about the blues, and I don’t understand why they don’t get it. Blues is a light-hearted music. They’re stories that make fun of what goes on in your life. Don’t get me wrong, I’m a football fan. I enjoy these games. I watch them all. But the premise of all these guys getting millions and millions of dollars to play a kids’ game is in and of itself not serious. It’s a cause to celebrate when they’re winning, but it really doesn’t affect your life other than it’s nice when your team is doing well. And these guys are getting millions of dollars, and these guys are bitching about it when you criticize their performance? I didn’t really criticize their performance. I just made it rhyme."
Tumatoe is a self-taught guitarist who learned to play by watching Chicago’s blues legends. His guitar playing has been described as “B.B. King played through Jimi Hendrix (with a touch of Andy Gill).”
Tumatoe’s songs are noted for their humor, something he explains as, "There are two elements of the blues. There's the general intensity of the music…and an element of humor, some twist in the lyrics. It's like a comedian turning something sad into something funny."
The Redstone Room at River Music Experience is a standing room only concert venue. All tickets are General Admission unless otherwise stated. For the comfort of our guests, a limited amount of seating is available on a first come first serve basis:
- Reserved Tables: a limited number of tables are for sale in advance, sold through our ticketing service. You will need to add both your General Admission tickets AND your Reserved Tables to the cart for purchase. Reserve Tables come with 4 seats to a table.
- General Admission Tables: A number of tables are available when doors open. First come first serve.
- Accessibility: If you require physically accessible seating, you will need to purchase your General Admission ticket first, and then call the box office to reserve up to 2 seats. Tables must be purchased separately.
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Are there ID or minimum age requirements to enter the event?
Most shows in the Redstone Room are 19+, unless otherwise noted, but minors may attend if accompanied by a parent or guardian.
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RME & The Redstone Room are in the heart of downtown Davenport, and accessible by public transportation or cabs & ride-share apps (Uber, Lyft). There is a paid parking garage right next to the RME that only costs a couple of dollars for an evening. When using the ramp, make sure that you prepay at the pay stations in the garage stairwell or on the Parkmobile app. Free street parking is available, but sometimes hard to find on concert nights.
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