Dickie + David Zollo & The Body Electric
Thursday, May 14, 2020 7:30 PM
$12 adv / $15 day of show
7pm / Show:
Web: dickiemusic.com | davezollo.com
Americana / Indie Rock
All tickets are general admission. Purchasing a ticket does not guarantee a seat.
Dickie’s 2015 self-titled release was a moody testimonial of singer-songwriter Dick Prall. Prall took a succession of personal losses and nestled them inside a beautifully-layered soundtrack that found Dickie on the top of several “Best of” lists that year. 2019 finds Prall in a nostalgic headspace, partnering with talented drummer/multi-instrumentalist Billy Barton to produce a stripped-back mix of reflective and pulsating sing-alongs in the latest release, Minus Thieves.
Dave Zollo & The Body Electric
Though the common thread of Prall’s past work has showcased liberal production through lush string arrangements and gorgeously-stacked harmonies, Minus Thieves is a practice in restraint led by producers Pat Sansone (Wilco) and Joshua Shapera. The simplified effort was tracked at The Magic Barn, a rural studio located just outside the small town of Solon, Iowa. Its notoriety comes from housing the original recording equipment of New York’s now-defunct The Magic Shop. Artists such as David Bowie, Lou Reed, The Ramones, and Blondie have all made records at the famous facility. Sansone and Shapera reached back even further into the archives of recording history by applying a formula of straightforward guitars of all sonic sizes and fusing them seamlessly with Barton’s tight rhythms and Prall’s continuous knack for infectious melody.
Whether a seasoned critic or a casual listener, you’ll find the minimal production of Minus Thieves impeccably highlights the Prall/Barton collaboration, welcoming you to happily ingest the most important parts of any pop-tinged record.
If you're a follower of the midwestern indie music world (or of American roots music generally) you might be forgiven for thinking David Zollo has been around forever. The truth is, it just seems that way. Since bursting on the scene as a baby-faced 21-year-old with Iowa City's white-hot, road-chewing pub-rockers, High and Lonesome in 1992, Zollo has done just about everything you can do in the rock and roll business. Whether as a singer/songwriter/keyboardist with his own bands; as a sideman for an incredible array of roots music talent (Todd Snider, William Elliott Whitmore, Greg Brown, Bo Ramsey, The Pines); as founder/owner/ operator of legendary underground label,Trailer Records; or producer to up-and comers (The Pines, Brother Trucker) Zollo always maintained a ridiculously frenetic schedule, logging thousands of miles and 200+ gigs a year, doing all of these things at an incredibly high level. He has paid dues that any bluesman or honkey-tonker (both titles apply to Zollo) would envy. High and Lonesome's meteoric rise was halted in late-1994 by the discovery of pre-cancerous tumors in his vocal cords; reconstructive surgery followed. While waiting impatiently for his singing voice to recover, Zollo started and established Trailer Records, then joined the band of critically-acclaimed country-folk rocker Todd Snider in 1996, moving to Nashville. After Snider downsized his band in 1997, Zollo followed his heart back to the midwest and his hometown of Iowa City. There he rejoined mentors Bo Ramsey and Greg Brown, further growing Trailer Records and creating an atmosphere of music-as-family, that saw the entire label roster playing on stage together; on record; and, judging by the sounds of things, in each other's living rooms. It was around this time that demand started growing for Zollo's services as a producer. Throughout it all, Zollo continued to write music that consistently won critical and popular support for its power, honesty, and intelligence. By 2002 he had produced six records of his own material; Alackaday (1992); Livefromgabes (1994); and For Sale or Rent with High and Lonesome, and The Morning is a Long Way From Home (1995); Uneasy Street (1999); and The Big Night (2002) under his own name. Of the many things that David Zollo does and does well, it is on stage that he seems most comfortable and happy. Long known as an exuberant, passionate performer, it is clear that at present, Zollo is relishing the opportunity to do what he does best: make music. If you haven't had the pleasure, try to catch him while you can; solo, or with his band The Body Electric. Either way, you'll get a chance to experience the timeless power of a voice that seems to have been with us forever.
The Redstone Room at River Music Experience is a standing room only concert venue. All tickets are General Admission unless otherwise stated. For the comfort of our guests, a limited amount of seating is available on a first come first serve basis:
- Reserved Tables: a limited number of tables are for sale in advance, sold through our ticketing service. You will need to add both your General Admission tickets AND your Reserved Tables to the cart for purchase. Reserve Tables come with 4 seats to a table.
- General Admission Tables: A number of tables are available when doors open. First come first serve.
- Disability: If you require handicap accessible seating, you will need to purchase your General Admission ticket first, and then call the box office to reserve up to 2 seats. Tables must be purchased separately.
All tickets for RME events are sold via Eventbrite and all carry applicable transaction fees. Tickets can be purchased the day of event online, at the RME Box office during business hours, and at the door (subject to availability). All tickets purchased with credit cards and/or cash will be subject to all applicable service fees whether the purchase takes place online, over the phone, or at the RME box office. Ticket fees also still apply for admission at the door.
TICKETS MAY BE PURCHASED AT THE FOLLOWING LOCATIONS
River Music Experience
129. N. Main Street
Davenport, IA 52801
Tues: 12pm - 6pm
Wed: 12pm - 6pm
Thurs: 12pm - 6pm
Fri: 12pm - 6pm
Sat: 12pm - 6pm
*Box Office hours may vary due to event schedules
Are there ID or minimum age requirements to enter the event?
Most shows in the Redstone Room are 19+, unless otherwise noted, but minors may attend if accompanied by a parent or guardian.
What are my transportation/parking options for getting to and from the event?
RME & The Redstone Room are in the heart of downtown Davenport, and accessible by public transportation or cabs & ride-share apps (Uber, Lyft). There is a paid parking garage right next to the RME that only costs a couple of dollars for an evening. When using the ramp, make sure that you prepay at the pay stations in the garage stairwell or on the Parkmobile app. Free street parking is available, but sometimes hard to find on concert nights.
How can I contact the organizer with any questions?
You may call the RME's box office at (563)326-1333 or email email@example.com
What's the refund policy?
Purchased tickets are nonrefundable.