Dan Hubbard Full Band Album Release Show wsg Steve Baumann
Friday, May 17, 2019 8:00 PM
$12 adv / $15 day of show
7pm / Show:
19+ (minors must be accompanied by parent or guardian)
RME & Gabriel Events Presents
All tickets are general admission. Purchasing a ticket does not guarantee a seat.
Singer-songwriter Dan Hubbard’s aptly titled new album, Attention, demands just that.
The Illinois native knows his way around a captivating story and a catchy melody, and for the past 15 years he’s been recording albums and putting on at least 125 shows a year, sharing the stage with artists like Martin Sexton, Andrew Combs, and Nikka Costa. From 2008-14, he played with his band the Humadors, and their 2011 release, The Love Show, hit the Roots Rock chart’s Top 50.
In 2016 Hubbard collaborated with Nashville producer and 3-time Grammy Nominee Ken Coomer to release the self-titled solo album Dan Hubbard. “I was truly happy with it,” Hubbard says. “I felt like I finally made the record I had always wanted to, and I wasn’t in any hurry to do another one.” But he had a lot more to say, and the songs on Attention cover everything from lost love and suicide, to brokenness, anger, hatred, and—a running theme in all Hubbard’s work—the redeeming power of love.
Hubbard—the youngest of three boys—credits his brother D.J. with inspiring him to write. “My older brother started writing songs, and he was really good. Seeing his talent made me believe I might have it in me too.” he says. At age nine, Hubbard’s other brother, Erik, died from brain cancer when he was just twelve. By 15, Dan discovered guitar as an outlet. “lyrics started coming pretty effortlessly as I learned to play guitar,” he says. “The feeling I experienced when I finished a song…I wanted to keep feeling that.” After graduating from Illinois State University, Hubbard knew he wanted to pursue music, and he’s been honing his craft ever since.
Like his earlier work, Attention draws its subjects from Hubbard’s life. “I tend to be a wallflower,” he says. “I just observe, and life never stops giving me material. The subject matter has become more intense with this album. I’m trying to meet people in their deepest, most vulnerable places, and let them know that they’re not alone.” What haven’t changed are Hubbard’s vocals, which alternate between powerful rock and blues shouts to tender inflections. His notes soothe, pulling us into the warmth of the music before his lyrics burn their message on our hearts.
The 11-song collection opens quietly enough with the first verse of “Run Towards the River,” as Hubbard whispers urgently, “Count of three, move your feet, like you never have in your life/One last look at the years he took, now there’s no time left for goodbye/Take a deep breath, watch the trees blow, hand on the handle, it’s time to go.” Barely audible, the lyrics quickly blossom into a warning—“watch for the wicked”—and encouragement—“there will be love waiting for you”—in a tune fueled by propulsive guitars and drums that mimic the desperate need to flee. “This song looks at different abusive relationships, urging the victims to realize what’s happening to them—and to get out,” Hubbard says.
“Poison Words” illustrates Hubbard’s subtle genius by balancing swelling horn choruses with aching steel guitar, subtle gospel piano flourishes, and shimmering roots rock guitars. Hubbard says he wrote the song out of his frustration with the church. “I consider myself a Christian,” he says. “But there are aspects of it that I struggle with.” The song’s chorus repeats “poison words” almost like a prayer, calling into account the church’s treatment of the LGBTQ community.
“Scars” shares the anguish and fear that Hubbard’s family felt when they learned his brother Erik’s illness was terminal. “The day he died wasn’t the worst day,” Hubbard says. “It was the day we found out he was going to die.” “Scars” is the sparsest song on the album, with the tinkling of bells and a haunting steel guitar.
On the flipside, the funky “Ain’t No Fountain” dances around the bankruptcy of our dreams, while “Every Time I See Your Face” delivers a gospel-inflected jazz tune that celebrates the promise of love. It’s a “song about God disguised to sound like it’s about a significant other,” Hubbard says cheekily. Attention closes with “80,” a simple soul number that celebrates life, even in the face of the unknown: “80 years old/Into the unknown/Scared and alone/Still love rock-n-roll.”
Hubbard’s new album reminds us that he’s been here all along, writing powerful songs that touch our hearts and ask difficult questions about the world we live in. He challenges and reassures us at the same time, the hallmark of a great songwriter. “We’re all struggling. I get it because I’m in this, too,” he says. “I just want to make people reflect.”
When we pay Attention, Dan Hubbard gets us to smile, cry, and think deeply about our shared human experience.
With the launching of his first album, Steve Baumann brings a lifetime of experiences providing fertile ground for the messages and stories contained in his music. All songs are written by Steve and the results of this project are steeped in collaboration with other gifted artists in this unique music scene in the Midwest. The album recorded mixed and mastered at Patrick Stolley's, Future Apple Studio Too gives each song warmth and feel in the blended genres. Patrick stated "the songs are well written and honest". Knowing this is only the beginning, Steve is already writing new songs and collaborating with emerging artists like BEEs, Moore Air-in, Sean Ryan, Bret Dale and Robert T. Rosenstiel.
The Redstone Room at River Music Experience is a standing room only concert venue. All tickets are General Admission unless otherwise stated. For the comfort of our guests, a limited amount of seating is available on a first come first serve basis:
- Reserved Tables: a limited number of tables are for sale in advance, sold through our ticketing service. You will need to add both your General Admission tickets AND your Reserved Tables to the cart for purchase. Reserve Tables come with 4 seats to a table.
- General Admission Tables: A number of tables are available when doors open. First come first serve.
- Disability: If you require handicap accessible seating, you will need to purchase your General Admission ticket first, and then call the box office to reserve up to 2 seats. Tables must be purchased separately.
All tickets for RME events are sold via Eventbrite and all carry applicable transaction fees. Tickets can be purchased the day of event online, at the RME Box office during business hours, and at the door (subject to availability). All tickets purchased with credit cards and/or cash will be subject to all applicable service fees whether the purchase takes place online, over the phone, or at the RME box office. Ticket fees also still apply for admission at the door.
TICKETS MAY BE PURCHASED AT THE FOLLOWING LOCATIONS
River Music Experience
129. N. Main Street
Davenport, IA 52801
Mon: 12pm - 5pm
Tues: 12pm - 6pm
Wed: 12pm - 5pm
Thurs: 12pm - 6pm
Fri: 12pm - 5pm
*Box Office hours may vary due to event schedules
Are there ID or minimum age requirements to enter the event?
Most shows in the Redstone Room are 19+, unless otherwise noted, but minors may attend if accompanied by a parent or guardian.
What are my transportation/parking options for getting to and from the event?
RME & The Redstone Room are in the heart of downtown Davenport, and accessible by public transportation or cabs & ride-share apps (Uber, Lyft). There is a paid parking garage right next to the RME that only costs a couple of dollars for an evening. When using the ramp, make sure that you prepay at the pay stations in the garage stairwell or on the Parkmobile app. Free street parking is available, but sometimes hard to find on concert nights.
How can I contact the organizer with any questions?
You may call the RME's box office at (563)326-1333 or email email@example.com
What's the refund policy?
Purchased tickets are nonrefundable.